Very tantalizing post from Jim Jannard just posted on reduser.net: We will announce the new Scarlet and Epic programs on Thursday Nov. 13th. I want to say that no one has any idea how incredible this announcement will be. Call this hype… please. I am quite sure that the announcement will be called a “scam”. [...]
Archive for the ‘120fps’ Category
About to Blow our Socks Off: New Epic & Scarlet Specs 13 Nov
Posted in 120fps, Epic, Indie filmmaking, Red Camera, Red digital cinema, Scarlet, cinematography, high-definition on Monday, 27 October 2008, 1:21 pm | Leave a Comment »
Free, as in Beer Being Poured at 120 Frames Per Second
Posted in 120fps, 2K, Indie filmmaking, Red Camera, Red digital cinema, cinematography, high-definition, slo mo, slow motion on Wednesday, 16 April 2008, 12:07 am | 1 Comment »
OK. It’s not high cinematography. And you’re watching it in low definition and not the 2K high definition glory I shot (and immediately watched) it in. But here’s the first footage out of my Red that I’ve uploaded to the public, “Pouring a Sam Adams at 120 fps, Shot on a Red One Camera”:
Great hands-on notes on shooting a music video with a Red One camera
Posted in 120fps, DIT, Indie filmmaking, Red Camera, Red digital cinema, high-definition, music video on Tuesday, 8 April 2008, 3:17 pm | Leave a Comment »
Aaron Proctor, on his blog at FWD:labs, posts some useful notes on shooting a music video with a Red. Short and aimed mostly at newbies, it still contains some good concrete nuggets of advice.
Red Camera will do 120 frames per second at 2K: very nice smooth slow motion!
Posted in 120fps, 2K, Indie filmmaking, Red Camera, Red digital cinema, cameras, cinematography, slo mo on Monday, 10 March 2008, 10:55 am | 1 Comment »
This is new! Build 15 (coming this week) of Red One camera’s firmware will allow 120 frames per second (previously I think we were only expecting it to be able to do 72 fps). So this makes all sorts of nature photography and cool television commercials (a la ice falling into a glass, above). Check [...]
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