I’ve been in Las Vegas for over a week for REDucation (Red training) and to visit the NAB show. REDucation was excellent–even though I’ve been shooting on the camera for 2 years and know a lot, I still learned a lot. Once I’m back to Hong Kong, I’ll do some posts on what I learned [...]
Archive for the ‘Apple ProRes 422’ Category
What I liked and saw at NAB 2010: Part 1
Posted in 4K, 5K, Adobe, AfterEffects, Alexa, Apple Color, Apple ProRes 422, DCP, Davinci Resolve, Epic, Indie filmmaking, Jim Jannard, LitePanels, NAB 2010, Peter Jackson, R3D, REDCINE, Red Camera, Red Epic, Red Ray, Red Rocket, Steadicam Tango, The Foundry, digital cinema, digital distribution, film editing, post-production on Friday, 16 April 2010, 3:45 am | 4 Comments »
FinalCut Pro 7 and New FinalCut Studio Released!
Posted in 4K, Apple, Apple Color, Apple ProRes 422, Final Cut, Indie filmmaking, film editing on Thursday, 23 July 2009, 10:13 pm | 1 Comment »
Unexpectedly (to me and a lot of others it seems) a whole new upgraded FinalCut Studio’s been released. Top 4 things I’m excited about in it: Color supports native 4K Red R3D files. Color support Tangent Wave. FinalCut supports better editing Red (not sure if it handles R3Ds, but there’s a new flavour of ProRes [...]
NAB ’09 3 Coolest Things: Red Pro Primes + GearNex Gear Head + Panny GH1
Posted in 24P, 4K, 5K, Adobe, Adobe Premiere, AfterEffects, Apple Color, Apple ProRes 422, Canon EOS 5D Mark II, Cineform, Criterion, Epic, GH-1, Gearnex, NAB, Panasonic, Quicktime, RPP, Red Pro Primes, Red accessories, Redrock Micro, Scarlet, Ted Schilowitz, cameras, cinematography, color correction, digital cinema, handheld, high-definition, lens mounts, lenses, maps on Sunday, 19 April 2009, 12:45 pm | 6 Comments »
[UPDATE, 20 April, 8am: added some thoughts on post-production as P.S. at the end of this post] OK, so this is admittedly subjective but here are three about-to-be-released things that will create a lot of buzz at NAB–which I’m likely to buy for my budding boutique indie feature film studio here in Hong Kong: Red [...]
Red 1304 Shoots Movie Star Kelly Chen, For Charity Promotional Message
Posted in 4K, Apple ProRes 422, Final Cut, Indie filmmaking, Kelly Chen, R3D, REDCINE, Red Camera, Red digital cinema, Redcode RAW, cameras, cinematography, high-definition, how-to on Saturday, 26 April 2008, 4:08 pm | 4 Comments »
After a few ad hoc test shoots, got to take my Red #1304 out and do something real and interesting: On Thursday we shot Canto Pop diva and movie star Kelly Chen doing a promotional message for a charity. It was one of those crazy shoots–with too little space and too many people; in a [...]









